Local singer/songwriter Jeremy Shere is playing a set this Saturday evening at The Pourhouse Cafe. Jeremy’s songs are a mix of folk, pop, and probably a few other things. Check out his stuff at http://jnshere.wix.com/jeremyshere.

Cicada Cinema and Landlocked Music are excited to present:

A Cosmic and Earthly History of Recorded Music According to Mississippi Records: A Film & Talk Presentation

A mix of film, audio, slides and lecture presented by Mississippi Records founder Eric Isaacson. This presentation attempts to tell the entire history of recorded music in 90 minutes — from the first star being born to the current age of bizarre technology.
Subjects covered will include the cosmic patterns that resemble music generated by stars being born and dying, the untold early history of recording technology, the rise of blues, rock and roll, and other revolutionary American music forms and their subsequent destruction by the powers that be, and some hopeful messages about the future.

Mississippi Records is a store and label based in Portland, Oregon. They’ve released over 240 records spanning nearly every genre of music, ran a store for 15 years, and traveled the world with presentations such as this one. All of this has been done with no online presence, no promotion or advertising of any kind anywhere and no general existence in the digital world!

Live music Thursdays from 4:30-6 p.m. in Peoples Park.

Enjoy free, live performances from local and regional musicians, and get your groove on in the newly remodeled Peoples Park.

Live music Thursdays from 4:30-6 p.m. in Peoples Park.

Enjoy free, live performances from local and regional musicians, and get your groove on in the newly remodeled Peoples Park.

Addison Agen is an Americana singer-songwriter best known as Season 13’s first runner up on NBC’s The Voice. Based out of Fort Wayne, Indiana, the 20-year-old’s raw and heart-wrenching voice welcomes listeners of all kinds to be grateful and self-reflective. In 2019, Addison earned a four-night opening slot with Bob Seger & The Silver Bullet Band. Her music transforms lived experiences into songs woven together with themes of nostalgia, acceptance, hopefulness and joy. Addison’s debut full-length album, When the Morning Comes, is out now on all streaming platforms.

Charlie Jesseph will open the show!

Doors open at 7pm for this reserved seating event. The estimated length of the show is 1.5 hours. Wearing a mask is strongly encouraged and appreciated!

If you ask Kathleen Edwards, the best thing she ever did was quit.

By 2014, the singer-songwriter had released four studio albums and amassed widespread critical acclaim. She had been touring since the release of her 2012 album, Voyageur, and the prospect of returning home — only to start writing her way toward another album, and another tour—felt impossibly daunting. She put her guitar away, at least for awhile; she moved back to her hometown of Ottawa and settled down in Stittsville, an old village on the western edge of town. A running inside joke with bandmate Jim Bryson about opening a coffee shop and naming it “Quitters” became reality. For years, the only new music she heard was playing in the background while she served her regulars at the shop, where she slowly started to fall in love with music again.

“I had no desire to write, no desire to play,” she says of what she refers to as her “working sabbatical.” “It allowed me all the time and space I needed to even just enjoy listening to music again. There were so many times where, if I was thinking about my own writing or playing, my heart just wasn’t in it. Opening a cafe gave me such a clean break from the weight of what I was carrying, I worked my ass off building a shop, I didn’t have to be ‘just a singer’ anymore.”

But in 2018, she received an unexpected phone call that changed that. Maren Morris, a longtime fan, invited her to Nashville for a songwriting session. Edwards accepted, and “Good Woman,” their collaboration, wound up on Morris’ 2019 album, GIRL. “It reminded me that writing and creating music is entirely my wheelhouse, and it was so easy to just jump back in and do that,” she says of her fortuitous time in Nashville. “Funny enough, the third person in the room for those two days was Ian Fitchuk, and [we] ended up starting the process of producing a record.”

Edwards will make her long-anticipated return to music with Total Freedom, her fifth studio album, out August 14th via Dualtone Records. Written and recorded in Canada and Nashville with longtime collaborator/guitarist, Jim Bryson, and Grammy-winning songwriter/producer, Fitchuk, Total Freedom is both a return to form and a “hard reset,” one that empowered Edwards to write and perform entirely on her terms.

“I didn’t want to write songs that were going to keep me in a dark place on stage every night,” she says. “I didn’t have to carry a lot of the pressure of whatever course I was on previously… There’s a pressure sometimes to keep that ball rolling, and that’s what was so freeing about stopping altogether. I have this whole other experience now that grounded me and helped me rebuild my relationship with myself, and writing music. I’m entirely in control and deciding what my course of action is.”

For inspiration, she turned to Bob Seger, whose “Against the Wind” struck a chord with her: “The song just reveals itself in such an effortless way. I was like, ‘That’s how I want to feel on these songs being written; that’s how I want it to feel when I play it start to finish.’” Edwards’ cloud-grazing voice and strumming achieve that as she revisits old loves, losses, and heartaches in a fresh context, from nostalgic notes of appreciation (“Glenfern,” inspired by her relationship with ex-husband, collaborator and friend Colin Cripps) to treatises on grief (“Ashes to Ashes”) and slowly disintegrating romance (“Feelings Fade”). Unhesitating in her willingness to confront life’s toughest challenges, Edwards finds the beauty in it all – a radical optimism that isn’t lost on her as she prepares to release her first album in eight years, and navigate a complete shift in how she runs Quitters, in the midst of a global pandemic. Total Freedom proves that she’s ready to adapt—and that she’s got staying power, too.

“I finally had this exhale from a year that was really hard,” she says of the forces shaping Total Freedom. “I went through a scary experience, extricating myself from someone, and it was this wonderful moment of resilience when I finished the album. I am super resilient. I’m always finding ways to adjust what’s not working. I’m not gonna let someone take me down in the process. I think that calling [the record] Total Freedom was a reminder that I am a really strong person.“

Mick Flannery will open the show!

Doors open at 7:30pm for this reserved seating event. The estimated length of the show is 120 minutes. Wearing a mask is strongly encouraged and appreciated!

He’s played with everyone, he’s toured everywhere, he can lead a raucous big band or hold an audience silent with a solo acoustic blues set. Here’s the story of David Bromberg, or at least some of it . . . Born in Philadelphia in 1945 and raised in Tarrytown, NY, “as a kid I listened to rock ’n’ roll and whatever else was on the radio,” says Bromberg. “I discovered Pete Seeger and the Weavers and, through them, Reverend Gary Davis. I then discovered Big Bill Broonzy, who led me to Muddy Waters and the Chicago blues. This was more or less the same time I discovered Flatt and Scruggs, which led to Bill Monroe and Doc Watson.”

Bromberg began studying guitar playing when he was 13 and eventually enrolled in Columbia University as a musicology major. The call of the Greenwich Village folk scene in the mid-’60s drew David to the downtown clubs and coffeehouses, where he could watch and learn from the best performers, including primary sources such as his inspiration and teacher, the Reverend Gary Davis. Bromberg’s sensitive and versatile approach to guitar playing earned him jobs playing the Village “basket houses” for tips, the occasional paying gig, and lots of employment as a backing musician for Tom Paxton, Jerry Jeff Walker, and Rosalie Sorrels, among others. He became a first-call, “hired gun” guitarist for recording sessions, ultimately playing on hundreds of records by artists including Bob Dylan (New Morning, Self Portrait, Dylan), Link Wray, the Eagles, Ringo Starr, Willie Nelson, and Carly Simon. An unexpected and wildly successful solo spot at the 1970 Isle of Wight Festival in Great Britain led to a solo deal with Columbia Records, for whom David recorded four albums.

His eponymous 1971 debut not only included the mock-anguished “Suffer to Sing the Blues,” a Bromberg original that became an FM radio staple, but also “The Holdup,” a songwriting collaboration with former Beatle George Harrison, whom he met at his manager’s Thanksgiving dinner festivities. Harrison also played slide guitar on the track. Through Bromberg’s manager, Al Aronowitz, David also met the Grateful Dead and wound up with four of their members, including Jerry Garcia, playing on his next two albums. Bromberg’s range of material, based in the folk and blues idioms, continually expanded with each new album to encompass bluegrass, ragtime, country, and ethnic music, and his touring band grew apace.

By the mid-’70s, the David Bromberg Big Band included horn players, a violinist, and several multi-instrumentalists, including David himself. Among the best-known Bromberg Band graduates: mandolinist Andy Statman, later a major figure in the Klezmer music movement in America, and fiddler Jay Ungar (who wrote the memorable “Ashokan Farewell” for Ken Burns’ PBS documentary, The Civil War). Despite jubilant, loose-limbed concerts and a string of acclaimed albums on the Fantasy label, Bromberg found himself exhausted by the logistics of the music business. “I decided to change the direction of my life,” he explains. So David dissolved his band in 1980, and he and his artist/musician wife, Nancy Josephson, moved from Northern California to Chicago, where David attended the Kenneth Warren School of Violin Making. Though he still toured periodically, the recordings slowed to a trickle and then stopped. After “too many Chicago winters,” in 2002 David and Nancy were lured to Wilmington, Del., where they became part of the city’s artist-in-residence program and where David could establish David Bromberg Fine Violins, a retail store and repair shop for high-quality instruments. Frequent participation in the city’s weekly jam sessions helped rekindle Bromberg’s desire to make music again, as did the encouragement of fellow musicians Chris Hillman (the Byrds, Desert Rose Band, Flying Burrito Brothers) and bluegrass wizard Herb Pedersen, and David’s manager, Steve Bailey. The jams also led to the formation of Angel Band, fronted by Nancy and two other female vocalists, with David serving as an accompanist. With the release of Try Me One More Time, David continues his musical revitalization, playing shows on his own, backed by (and supporting) Angel Band, his own David Bromberg Quartet, and reunions of the David Bromberg Big Band, the configuration depending on the circumstance. Listen for that joyful noise – David Bromberg’s back!

Doors open at 7pm for this reserved seating show. The estimated length of the show is 100 minutes. Wearing a mask is highly recommended and greatly appreciated!

Jacob Jolliff was born into a musical family in Newberg, OR. His dad started him on the mandolin at age seven and required him to practice ten minutes a day. But after six months of practicing this minimal amount, something clicked, and almost overnight he started putting in several hours of intense practice daily. And this hasn’t really changed in the last 20 years.

Now in 2021, the mandolinist’s main focus is The Jacob Jolliff Band. This ensemble is a group of virtuosic pickers that play Jacob’s original instrumentals, as well as showcase his singing. They tour nationally in the US and have also travelled to Scotland and Australia to perform.

Jacob’s all-original first album, entitled, “Instrumentals, Vol. 1” was released in 2018.

Over the years, Jacob has had the pleasure of sharing the stage with many legendary musicians spanning many genres including Darol Anger, Tony Trischka, Sam Bush, Ronnie McCoury, Jerry Douglas, Bryan Bowers, John Popper, The David Grisman Quintet, Widespread Panic, The String Cheese Incident, Michael Daves, and many more. Currently, he lives in New York City, and can be heard around town playing with his own projects as well as sitting in with his friends’ groups in a wide range of styles.

Doors open at 7pm for this reserved seating event. The estimated length of the program is 2 hours. Wearing a mask is strongly encouraged and appreciated!

Performing their current album, World Gone Mad, as well as classic songs of The Band, The Weight Band is led by Jim Weider, a 15-year former member of The Band and the Levon Helm Band. The Weight Band originated in 2013 inside the famed Woodstock barn of Levon Helm. Weider was inspired by Helm to carry on the musical legacy of the Rock and Roll Hall of Fame group.

Years of touring have seen The Weight Band revive “The Woodstock Sound,” keeping the spirit of Americana/Roots Rock alive for audiences of all ages. They continue to keep the sound vibrant by releasing new music, evidenced by the album World Gone Mad (February 2018.) Their live set features Weight Band songs from the new album as well as fan favorites from The Band’s treasured catalog, including “Up On Cripple Creek,” “The Weight,” and “The Night They Drove Old Dixie Down.”

The Weight Band includes Brian Mitchell (The Levon Helm Band), Michael Bram (Jason Mraz), Matt Zeiner (Dickey Betts Band), and Albert Rogers (The Jim Weider Band). With a US and international tour schedule slated for 2019 and beyond, The Weight Band complements The Band’s timeless legacy while pushing the music forward for new audiences.

Billboard, Relix Magazine, and others have taken notice, as have generations of The Band fans who have yearned for new material since their last studio release almost 20 years ago. The Boston Globe proclaims World Gone Mad “strikes a chord between past & present,” and the Chicago Tribune says “The Weight carries on where The Band left off.” Goldmine Magazine cited World Gone Mad as one of the best indie albums of 2018, saying the group “effectively revives and recreates The Band’s original rustic sound as a successor [and] keeps that arcane spirit alive!”

Jim Weider (guitar, mandolin & vocals) is a former member of The Band. From 1985 to 2000, Weider replaced Robbie Robertson as their lead guitarist, writing songs and performing on their three studio albums, Jericho, High on the Hog, and Jubilation. He toured internationally with original Band members Levon Helm, Garth Hudson, and Rick Danko for fifteen years and was featured with them on numerous albums, films, videos, and in television appearances.

Michael Bram (drums & vocals) is a soulful singer and multi-instrumentalist. Bram splits his time drumming for The Weight Band and Jason Mraz. He has been a staple in the New York music scene for almost two decades- other career highlights include working with Willie Nelson and recording tracks with Bob Margolin of The Last Waltz fame.

Brian Mitchell (keyboards & vocals) is a current member of Levon Helm’s Midnight Ramble Band and is well-known within the circles of the music industry and beyond for his solo career and his high-profile collaborations. He has recorded and performed with some of music’s most respected artists, Levon Helm, Bob Dylan, Al Green, B.B. King, and countless others.

Matt Zeiner (keyboard & vocals) began his career with Hartford’s Street Temperature band, then hit the road with Matt “Guitar” Murphy of Blues Brothers fame. Zeiner has also toured extensively with Dickey Bett; a founding member of the Allman Brothers Band.

Albert Rogers (bass, vocals) has shared the stage with Levon Helm, Garth Hudson, and played in The Jim Weider Band. Rogers has also performed with Sid McGinnis, Hubert Sumlin, Jimmy Vivino, Albert Lee and many others.

Doors open at 7:30pm for this reserved seating event. The estimated length of the show is 2 hours.

Iron & Wine is the musical project of singer-songwriter Sam Beam. Born and raised in South Carolina, Beam is a former film professor who got his start making home recordings before landing on Sub Pop Records. Iron & Wine’s 2002 debut, The Creek Drank the Cradle, garnered both critical and popular acclaim, vaulting Beam into the spotlight of the burgeoning Indie-Folk/Americana scene as one of its new and leading voices.

Now entering its 20th year, Iron & Wine has captured the emotion and imagination of listeners with distinctly cinematic songs. His recorded output includes seven full-length studio records, collaborations with Calexico, Ben Bridwell (Band of Horses), and Jesca Hoop, countless EP’s, singles, and compilation/soundtrack appearances, three Grammy nominations for Beast Epic (2017), Weed Garden (2018), and Years to Burn (2019), and a series of archive releases featuring demos and rarities.

Iron & Wine is back on the road in 2021, heading out on tour with only his guitar as backing band – taking the show back to basics, putting his songwriting front and center.

Opening Act:
Squirrel Flower’s heart-rending sophomore album Planet, following her 2020 debut I Was Born Swimming, is exactly that. A singular planet, a world entirely of artist Ella Williams’ making. The title came first to her as a joke: it’s her made-up name for the new planet people will inevitably settle and destroy after leaving Earth, as well as the universe imagined within her music. “Planet is my body and mind,” Williams says, “and it’s the physical and emotional world of our planet. It’s both.” Buoyed by her steadfast vision and propelled by her burning comet of a voice, the record is a love letter to disaster in every form imaginable. Tornadoes, flooding, gaslighting assholes, cars on fire—these songs fully embrace a planet in ruin. As Williams rides from melancholy to jubilance to complete emotional devastation over the course of twelve songs, she carves out a future for herself and those she loves. Planet, out June 25, 2021 on Polyvinyl and Full Time Hobby, is at once a refuge, an act of self-healing, and a musical reflection of Squirrel Flower’s inner and outer worlds.

Doors open at 7pm for this reserved seating event. The estimated length of the show is 120 minutes. Wearing a mask is strongly encouraged and greatly appreciated.